DW Griffith - Summary
"David Wark Griffith was born in rural Kentucky to Jacob "Roaring Jake" Griffith, a ex-Confederate Army colonel and Civil War hero. Young Griffith grew up with his father's romantic war stories and melodramatic 19th-century literature that were to eventually mold his black-and-white view of human existence and history. In 1897 Griffith set out to pursue a career both acting and writing for the theater, but for the most part was unsuccessful. Reluctantly, he agreed to act in the new motion picture medium for Edwin S. Porter at the Edison Company. Griffith was eventually offered a job at the financially struggling American Mutoscope & Biograph Co., where he directed over 450 short films, experimenting with the storytelling techniques he would later perfect in his epic The Birth of a Nation (1915)." (Wikipedia)
"Griffith and his personal cinematographer G.W. Bitzer collaborated to create and perfect such cinematic devices as the flashback, the iris shot, the mask and crosscutting. In the years following "Birth", Griffith never again saw the same monumental success as his signature film and, in 1931, his increasing failures forced his retirement. Though hailed for his vision in narrative film making he was similarly criticized for his blatant racism. Griffith died in Los Angeles in 1948, one of the most dichotomous figures in film history." (Wikipedia)
David Wark Griffith -"He has been called "the father of film technique", "the man who invented Hollywood" and "the Shakespeare of the screen"."(Wikipedia)
Griffith is often credited for either inventing or being the first systematic user of the following cinematic devices:
- the close up
- the flashback
- the fade in and fade out
- the full shot, i.e. a shot whose subject completely fulls the screen
- the use of the iris lens to pick out details of action
- use of lighting that was realistic, expressive and dramatic
- the concept of editing for parallel action and editing within a scene
- the encouragement of restraint in expression in screen acting
- colour tinting
- widescreen cinema
- giving the cinema frame perspective by using the foreground and background
- commissioning original music scores (although this was the silent era, scores could be written for an orchestra to accompany the film)
- night photography
- moving camera shots
However many of these things had already been invented and or often used by other directors. (COM123, Resources, Topic 2, DW Griffith)
